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kurtelizabeth "Is it better to speak or to die?" The most evocative line in the book and film to me were "Is it better to speak or to die?" It's the marking on the river bank Elio crosses to get to the other side, and is the turning point in their story.


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Elio Perlmen (Timothée Chalamet) is a seventeen-year-old boy admired and recognized for his gifted intellect. In the summer of 1983, he finds his world turned upside down as he begins to develop.


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There's a saying, "Speaking is dying. But, better speaking and dying than dying without having spoken.". How I interpret this is that to speak is to risk the danger, but death is to die misunderstood. So, although the choice is not clear or an easy one this year, I'm choosing to speak. I'm standing my ground.


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In one study of 1,667 after-death communications by the researcher Ken Vincent, around a fifth were found to be "evidential" in this sense, with three different types of evidence. 4 First.


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Oct 07, 2022 04:48PM. André Aciman — 'Is it better to speak or to die?'.


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So 'is it better to speak or to die' is just the romanticised, idolised more poetic way to say is it better to so freely express your opinion and be so ruthlessly demoralised or live a life in ponder on what could have been if one simply had the courage to do so. Offer support: Please read our commenting guidelines before responding. Read now.


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Is it better to speak, or to die?" These are the words Mrs. Pearlman reads aloud to her son, Elio (Timothée Chalamet) and her husband from the love story about a prince who doesn't know whether.


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Set in idyllic northern Italy at the vacation home of 17-year-old Elio and his parents, Call Me by Your Name is a blissful '80s summer romance that reverberates with passion and aches with the.


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To kiss them or to pull away, to say what could be your last goodbye or leave it hanging in the air, to end things with them or not? Is it better to speak or to die! It's hard trying to figure out how to answer such simple questions. It's hard trying to sort out all the thoughts that could be running through your head.


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in the movie, elio first hears 'is it better to speak or to die?' on a late spring evening, when his mother reads to him a translation from 'Heptaméron',whilst gently and soothingly stroking his head.


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The 24-year-old American student Oliver is completing an internship at professor Perlman's (his Jewish-American archeology professor with French and Italian roots; played by Michael Schulber, whose Oscar nomination hopefully becomes a fact soon) villa in the north of Italy. The atmosphere of the house is idyllic.


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Annella Perlman: [Reading from The Heptaméron] A handsome young knight is madly in love with a princess, and she too is in love with him, though she seems not to be entirely aware of it. Despite the friendship that blossoms between them, or perhaps because of that very friendship, the young knight finds himself so humbled and speechless that he is totally unable to bring up the subject of his.


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• 10 mo. ago Die is a little extreme and don't understand why that's an option, but I agree, no one truly listens to anyone. They often hear the topic you speaking about and form their arguments before you even finish speaking and when they respond, it's obvious. They often totally miss the context and nuance that encapsulates your POV.


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Something unexpected. It catches us off guard. It explores your vulnerabilities and one becomes completely unaware of the set norms and patterns. The cover is blown and what remains is one's naked self. Something having a similar essence can be found in Luca Guadagnino's coming of age film, Call Me By Your Name.


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I for one often regret those moments where i wished I spoke but died inside as the moment passed and became of irrelevance to the other party. However to me it would be a moment to which I embrace womb likely to my departure from this earth in some decades from today. Those who defied the speaking died in isolation or quarantined themselves to.


"Is it better to speak or to die?" call me by your name Your name

As we've all noticed, the question "is it better to speak or die" (with an interesting parallel to the traditional invocation at weddings- "Speak now or forever hold your breath") reoccurs several times throughout the film. I would argue these words are even more significant than the words that make up the title.